Sunday, May 24, 2026

Covers and Skate Bylines with Farran Golding. May 24, 2026. Mostly Skateboarding Podcast.

This week, Templeton Elliott and Mike Munzenrider are joined by Farran Golding to talk about his piece for Quartersnacks on magazine covers and his website, Skate Bylines. Listen here and subscribe on iTunes, Spotify, or YouTube.


Farran's previous appearance on the podcast
Román González by Alex Pires for the cover of Free Skate Mag #58
Sam Ashley, photo editor and co-founder of Free Skate Mag
Jessie Van Roechoudt, co-editor and co-founder of Mess Skate Mag
Marcus Walrdon, founding editor-in-chief of Skate Jawn
Matt Price, photographer
Alex Pires, photographer
Grey Skate Mag
Ian Browning
John Wick and the stairs of Sacré Coeur scene from John Wick Chapter 4
Thrasher Magazine covers archive
Norma Ibarra
Matt Day: ‘the art of documenting skateboarding w/ Matt Price’
Artless Industria: ‘MATT PRICE ON CRITICISM, PHOTOGRAPHY, AND THE STATE OF SKATE MEDIA’ by Anthony Pappalardo
Kevin Rodrigues in New York for the cover of Free Skate Mag #9 by Alex Pires (2016)
Cyrus Bennett’s opening line in in HUF’s Forever (2023)
Vague Skate Mag covers
Andrew Allen by Andrew James Peters for Monster Children and Andrew Allen at LA High
Josh Sabini
Evan Wasser by Matt Price for Closer #10
Slam City Skates: ‘Michael Burnett talks Thrasher: “I couldn’t help myself, I wanted to do it all day long”’ by Farran Golding
Kyron Davis by Rafal Wojnowski (Rafski) for Free Skate Mag #66 (2026)
Short-form social media content for Farran’s Quartersnacks magazine covers story:
'How Do You Choose The Cover Photo with/ Free Skate Mag's Sam Ashley'
'The Value of Variety in Choosing Skate Magazine Covers w/ Mess Skate Mag's Jessie Van Roechoudt'
'Does Star Power Matter When Choosing Who Gets the Cover w/ Skate Jawn's Marcus Waldron'
What's the difference between a cafe and a brasserie
Andrew Reynolds in Stay Gold
Kasper van Lierop's website
Harry Meadley, The Art Of Skating Institutions
Sage Elsesser on the cover of Highsnobiety
Skate Bylines at Slow Impact 2026
Skate Bylines: ‘The Skateboarding Media Demographics Survey’
Mikaela Kautzky
Cole Nowicki
National Union of Journalists / London Freelance: Rate For The Job
Willy Staley on Love Malmo
GQ: ‘Bill and Tyshawn’s Excellent Adventure’ by Farran Golding
The clip is the content in The Atlantic and The Verge

Farran is stoked on getting this thing published finally and getting close to another story for QS with Ian Browning, a walking tour of Leeds skate spots and sculptures led by my friend Harry Meadley, PLANK issue 2, working Robin Kirkham’s design studio, An Endless Supply, on some skate projects, and having filmed videos with friends.
Mike is stoked going to the last Wolves game of the season and biking around on a beautiful Minneapolis and @leofromnewyawk on Instagram.
Templeton is stoked on seeing family and revisiting the place of his first experiences with skateboarding.

1 comment:

Justin said...

This was a good interview. I read the Quartersnacks article and in an era when print is dead, it is refreshing to see that a bunch of mags are making physical copies. Also nice to learn about the assorted strategies and graphic design planning that goes into covers.

Somehow I didn't know or forgot Jessie Van Roechoudt was involved with Mess.

All the mags in 1990s except for Thrasher had different logos often. Slap and Big Brother were always mixing it up. Big Brother had to stop after they were bought by Larry Flynt. Marketing decided one logo they did worked the best so they had to stay with that one. It makes sense, but it takes away from some creativity. Slap ran some arty covers when you could get away with that. Even Thrasher sprinkled in some strange ones over the years.

I like Thrasher's October 1992 cover with Daniel Powell doing a noseblunt on a curb. The photo is by Chris Ortiz. It's got great use of text to frame the trick and it just looks cool. Very 1990s without being 1990s, if that makes sense. Scott Conklin for the July 1993 Transworld by Dave Swift is another notable front.

The two frame sequence is so-so. It can go either way. The six shot single frame sequences that Spike Jonze and Thrasher were doing are more impressive. Again though you can overdo it with too much of the same thing. The same goes for words on covers. A good mix of no titles and titles from month to month would be the way to go.